Showing posts with label the entertainment. Show all posts
Showing posts with label the entertainment. Show all posts

Sunday, March 15, 2009

New Movie Review By James Myers, The Entertainment Critic: Watchmen

Movie Review:  Watchmen

 

The Entertainment Critic Movie Review

http://jamesmyerstheentertainmentcritic.blogspot.com/

In Theatres Now Review

Opened March 3, 2009

By James Myers

 

Rating: 7 of 10

 

Director:  Zack Snyder

 

Writers (WGA): David Hayter (screenplay) and Alex Tse (screenplay), Dave Gibbons             (graphic novel illustrator), Alan Moore (graphic novel) uncredited

 

Release Date: 6 March 2009 (USA)

 

Genre: Action | Fantasy | Sci-Fi | Thriller

 

Malin Akerman ...        Laurie Jupiter / Silk Spectre II

 

Billy Crudup     ...        Dr. Manhattan / Jon Osterman

 

Matthew Goode           ...        Adrian Veidt / Ozymandias

 

Jackie Earle Haley        ...        Walter Kovacs / Rorschach

 

Jeffrey Dean Morgan    ...        Edward Blake / The Comedian

 

Patrick Wilson  ...        Dan Dreiberg / Nite Owl II

 

Carla Gugino    ...        Sally Jupiter / Silk Spectre

 

Matt Frewer     ...        Edgar Jacobi / Moloch the Mystic

 

Stephen McHattie         ...        Hollis Mason / Nite Owl

 

Laura Mennell  ...        Janey Slater

 

Rob LaBelle     ...        Wally Weaver

 

Gary Houston   ...        John McLaughlin

 

James M. Connor         ...        Pat Buchanan (as James Michael Connor)

 

Mary Ann Burger         ...        Eleanor Clift

 

John Shaw        ...        Doug Roth

 

Robert Wisden ...        Richard Nixon

 

Jerry Wasserman          ...        Detective Fine

 

Don Thompson ...        Detective Gallagher

 

Frank Novak    ...        Henry Kissinger

 

Sean Allan        ...        Norad General #1

 

Ron Fassler      ...        Ted Koppel

 

Stephanie Belding         ...        Janet Black

 

Chris Burns      ...        Dumb Thug

 

 

Produced by

Wesley Coller   ....       Co-producer

Herb Gains       ....       Executive producer

Lawrence Gordon        Producer

Lloyd Levin      ....       Producer

Deborah Snyder           Producer

Thomas Tull      ....       Executive producer

 

            Watchmen has been one of the more anticipated films of the early spring season.  There is always a tension in creating a film like this one, where the subject matter and storyline is well-know to the followers of the comic/graphic novels and engaging the members of the public that are not familiar with the comics and not cult followers.  This film succeeds on both levels; true to the original graphic novels of writer Alan Moore, artist, Dave Gibbons, and colorist John Higgins, yet intriguing and engaging to those of us not as familiar with the story.  In this story of a parallel universe still stuck in the Nixon Administration, we are immediately drawn into this tale of retired and outlawed superheroes/vigilantes when one of the superheroes is murdered in the opening scene.  You have no pulse if you are not immediately drawn into the story of the personal development and struggles of the protagonists as an investigation into the murder of a government sponsored superhero pulls them out of retirement and eventually leads them to confront a plot by one of their own to stave off nuclear war by killing millions of people.  The secondary plotline is of course to find the killer of the fallen hero, The Comedian, who had plenty of potential enemies when he has was alive, who would want him dead.

 

            By 1985, only one Watchman, a masked vigilante named Rorschach, (Jackie Earle Haley) remains active. Investigating the murder of government agent Edward Blake (Jeffrey Dean Morgan), Rorschach discovers him to be a fellow Watchman known as The Comedian and concludes that someone is trying to eliminate masked heroes. He goes off to warn his retired comrades: the emotionally detached Dr. Manhattan (Billy Crudup), his lover Laurie Jupiter (Malin Akerman), the second Silk Spectre, Dan Dreiberg (Stephen McHattie), the second Nite Owl, and Adrian Veidt (Matthew Goode) Ozymandias, but makes little progress.

 

After Blake's funeral, Dr. Manhattan is accused of causing cancer in his former friends and colleagues from before the accident that turned him into the being he is now. Manhattan exiles himself to Mars, giving the Soviet Union the confidence to invade Afghanistan in his absence. Later, Rorschach's conspiracy theory appears to be justified when Adrian, who had long since made his identity as Ozymandias public before retiring, narrowly avoids an assassination attempt, and Rorschach himself is framed for murder.

Meanwhile, Laurie falls in love with Dan, having previously broken up with Manhattan, and the two former heroes decide to come out of retirement as they grow closer to one another. After breaking Rorschach out of prison alongside Nite Owl, Silk Spectre is confronted by Manhattan, who takes her to Mars and explains he is no longer interested in humanity, denying her request to intervene. Probing her memories, they both discover that The Comedian is her father. His interest in humanity renewed, Manhattan returns to Earth with Silk Spectre.

 

Investigating further into the conspiracy, Rorschach and Nite Owl discover that Adrian may be behind everything. Rorschach records his suspicions in his journal, which recounts the events of the story thus far from his perspective, and posts it to a newspaper office. Rorschach and Nite Owl confront Adrian, presumably now Ozymandias once again, in his Antarctic retreat. Ozymandias confirms that he is the mastermind behind The Comedian's murder, Manhattan's exile, and the framing of Rorschach; he also staged his own assassination attempt to place himself above suspicion. He explains that his plan is to unify the United States and Soviet Union and prevent nuclear war by destroying the world's main cities with exploding energy reactors he had Dr. Manhattan create for him under the pretense of providing free energy for the world. Rorschach and Nite Owl attempt to stop him, only to find his plan has already been enacted; the energy signatures are recognized as Dr. Manhattan’s and the two opposing sides of the Cold War unite to combat their “common enemy.”

 

Silk Spectre and Manhattan arrive at the ruins of New York City and realize Ozymandias plan. They arrive to confront him, only to agree that, with the cessation of hostilities around the world, this conspiracy is best left unrevealed to the public. Rorschach, however, is unwilling to cooperate, and allows himself to be vaporized by Manhattan as a means of stopping him from revealing the truth. Manhattan shares a final kiss with Silk Spectre and departs for another galaxy.

 

With the end of the Cold War and the transformation of humanity into a united front, Laurie and Dan return to the destroyed New York City, which is being rebuilt, and begin life anew together. Meanwhile, a newspaper editor in New York complains about how there is nothing worthwhile to print, and has a young employee look for something in a collection of crank letters in which he finds Rorschach's journal.

            This is a heavy, urban, graphic film, with earth shaking violence, cool special effects, and a little gratuitous sex thrown in for extra fun.  I like the film as a viewer, because it was done in such a compelling manner as to draw you into the personal lives of these remarkable beings.  The character development made the film worth watching, and the plot was a shocker, particularly after the assassination attempt.  The reoccurring theme of ‘who watches the watchmen’ was startling in light of the fact that much like real life politics, the people who are supposed to watch out for our survival may also become the authors of our destruction.  The drop of blood on the smiley face reinforces the uneasiness of the ‘who watches those in power’ theme that permeates this film, making it a contemporary parable for our modern times.  Costuming was well done in this film as well.  By updating and modernizing the original masks, the film takes on a contemporary point of view that makes it more realistic and acceptable.  The music in the film, Bob Dylan's "The Times They Are a-Changin'", which is played over the opening montage; Jimi Hendrix's cover of Dylan's "All Along the Watchtower"; Simon & Garfunkel's "The Sounds of Silence"; the German version of Nena's "99 Luftballons"; a musak version of Tears For Fears' "Everybody Wants To Rule The World"; and Nat King Cole's "Unforgettable" added to the alternative universe/contemporary for 1980’s feel of the picture.  This was a great superhero picture, not as jolting as ‘The Dark Knight’ or quite as engaging as the first ‘Spiderman,’ but this film was more an exploration into each characters motivation, background, and psychology than other flicks of this genre had attempted before.  This one is a striking, free for all, fun ride and thriller that jarred the sensibilities to thought and comparison with the universe of political philosophy we currently find ourselves engaged in.  Worth the money, go see Watchmen.  It is a film that will thrill you and give you more to think about then the liberals vs. the conservatives.

 

 

Movie Trailer: http://www.youtube.com/watch?v=R3orQKBxiEg



Thursday, January 8, 2009

Obama Talks About His Stimulus Package

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  MSNBC.com

Obama: Pass stimulus or recession lasts ‘years’
President-elect warns the downturn could become ‘dramatically worse’
BREAKING NEWS
msnbc.com news services
updated 10:41 a.m. CT, Thurs., Jan. 8, 2009

WASHINGTON - President-elect Barack Obama warned Thursday morning that the nation’s recession could “linger for years” unless Congress acts to pump unprecedented sums from Washington into the U.S. economy, adding that the current economic crisis is “unlike any we have seen in our lifetime.”

“I don’t believe it’s too late to change course, but it will be if we don't take dramatic action as soon as possible,” Obama said in a speech at George Mason University in Fairfax, Va., outside Washington. It was his highest-profile case yet on an issue certain to define his early presidency.

“A bad situation could become dramatically worse,” he added, painting a dire picture — including double-digit unemployment and $1 trillion in lost economic activity — that recalled the days of the Great Depression in the 1930s.

The current economic crisis is due to “an era of profound irresponsibility,” Obama said, adding that it is “time to set a new course for this economy, and that change must begin now.”

Obama also laid out goals of doubling the production of alternative energy over three years, updating most federal buildings to improve energy efficiency, making medical records electronic, expanding broadband networks and updating schools and universities.

It was the fourth day in a row that Obama has made a pitch for a huge infusion of taxpayer dollars to revive the sinking economy.

His events have increasingly taken on the trappings and air of the presidency, with the speech — coming a full 12 days before he takes over at the White House — a particularly showy move. Presidents-elect typically stick to naming administration appointments and otherwise staying in the background during the transition period between Election Day and Inauguration Day, but Obama has clearly made the calculation that a nation anxious about its economic outlook and eager to bid farewell to the current president, George W. Bush, needs to hear from him differently and more frequently.

Indeed, the economic news is grim.

Consumers and companies are folding under the negative forces of a collapsed housing market, a global credit crunch and the worst financial crisis since the 1930s. The recession, which started in December 2007, already is the longest in a quarter-century.

Major U.S. retailers reporter December sales that were so dismal, even Wal-Mart fell short of already low expectations.

New claims for unemployment benefits dropped unexpectedly last week, but the number of people continuing to seek aid rose sharply. The Labor Department says initial applications for unemployment insurance dropped by 24,000 to a seasonally adjusted 467,000 for the week ending Jan. 3. Wall Street economists expected initial claims to increase to 540,000. The figure partly reflects seasonal volatility that occurs around the New Year’s holiday.

Still, the number of people continuing to claim jobless benefits jumped unexpectedly by 101,000 to 4.61 million. That was above analysts’ expectations of 4.5 million and the highest level since November 1982.

'More families will lose their savings'
For all of 2008, employers probably slashed payrolls by at least 2.4 million. That's based on economists' forecasts for a net loss of 500,000 additional jobs in December, as well as the job losses previously reported. Some, however, think the number of jobs cut last month will be higher, around 600,000 or 700,000. The Labor Department will release that report Friday.

"For every day we wait or point fingers or drag our feet, more Americans will lose their jobs," Obama said. "More families will lose their savings. More dreams will be deferred and denied. And our nation will sink deeper into a crisis that, at some point, we may not be able to reverse."

A day after the release of a stunning new estimate — that the federal budget deficit will reach an unprecedented $1.2 trillion this year, nearly three times last year's record — Obama acknowledged the new stimulus spending will "certainly add to the budget deficit." He also acknowledged some sympathy with those who "might be skeptical of this plan" because so much federal money has already been spent or committed in an attempt — largely unsuccessful so far — to get credit, the lifeblood of the American economy, flowing freely once again.

Such statements are coded to appeal to budget hawks in both parties, whom Obama wants to win over so that approval of a package draws wide, bipartisan support in the Democratic-led Congress.

To answer their concerns, he promised to allow funding only for what works. He also pledged a new level of transparency about where the money is going. A day earlier, he promised to tackle the out-of-control fiscal problem posed by Social Security and Medicare entitlement programs and named a special watchdog to clamp down on all federal programs.

Obama made broader arguments, too, saying that the private sector, typically the answer, cannot do what is needed now.

Still-evolving package
"At this particular moment, only government can provide the short-term boost necessary to lift us from a recession this deep and severe," he said.

Obama's transition team and Democratic congressional leaders are working daily to hammer out the still-evolving package, expected to total nearly $800 billion. The initial hope had been to have a new stimulus package approved by Congress in time for Obama to sign it upon taking office on Jan. 20. That timeline has slipped considerably, into at least mid-February if not later.

The package is expected to include tax cuts for businesses and middle-class workers, money to help cash-starved states with Medicaid programs and other operating costs, and a huge share for infrastructure building, investments in energy efficiency and a rebuilding of the information technology system for health care. Much of the latter portions of the plan are aimed at what Obama likes to talk about as the need for "reinvestment" and not just "recovery."

"It is not just another public works program," he said in the speech. "It's a plan that recognizes both the paradox and the promise of this moment, the fact that there are millions of Americans trying to find work even as, all around the country, there is so much work to be done."

He also promised action to address the economy's ills beyond the package, such as tackling the massive wave of home foreclosures many experts expect, preventing the failure of financial institutions, rewriting financial regulations and keeping accountable the "Wall Street wrongdoers" who engage in risky investing.

More on Obama | stimulus

URL: http://www.msnbc.msn.com/id/28555437/


© 2009 MSNBC.com

Saturday, July 19, 2008

New Interview By James Myers, The Entertainment Critic of Deborah Crombie on Where Memories Lie



NEW INTERVIEW FROM THE ENTERTAINMENT CRITIC: DEBORAH CROMBIE, AUTHOR OF WHERE MEMORIES LIE

Please check out the new interview by James Myers, The Entertainment Critic, of Author Deborah Crombie, About Her New Top Selling Book, Where Memories Lie.

From The Publisher: “Erika Rosenthal has always been secretive with her friend and neighbor, Detective Inspector Gemma James, about her past, except for one telling detail: She and her long-dead husband, David, came to London as refugees from Nazi Germany. But now the elderly woman needs Gemma's help. A unique piece of jewelry stolen from her years ago has mysteriously turned up at a prestigious London auction house. Erika believes the theft may be tied to her husband's death, which had always been assumed a suicide.

Gemma has a tough challenge. She must navigate the shadowy and secretive world of London's monied society to discover the jewelry's connection to David's murderer. However, the cold case needs to be put back on the books and possibly into the hands of her partner, Duncan Kincaid. When a second, present-day murder kicks the investigation into high gear, Gemma becomes more determined to exact justice for Erika—in a case that will have lasting repercussions.”

This interview is available exclusively on The Entertainment Critic Magazine, found at http://www.theentertainmentcriticmagazine.com.

To listen to the interview: To access the interview, look under the Interview section, and then click on the MP3 player in the lower left corner. You'll see the interview listed, click on Deborah’s name in the player, the interview will take a moment to download and then will begin playing Enjoy the interview, and please drop us a line at james@theentertainmentcriticmagazine.com and let us know how you liked the interview and if there is anything we can do to improve our process.

New Interview From James Myers, The Entertainment Critic: Iris and Roy Johansen on Silent Thunder

NEW INTERVIEW FROM THE ENTERTAINMENT CRITIC: ROY AND IRIS JOHANSEN, CO- AUTHORS OF SILENT THUNDER

Please check out the new interview by James Myers, The Entertainment Critic, of Co-Authors, Roy and Iris Johansen, about their New NY Times Selling Book, Silent Thunder.

From The Publisher: “Bestseller Johansen (Quicksand) and her Edgar-winning son, Roy (Deadly Visions), collaborate on their first thriller with entertaining results. Hannah Bryson, a top-notch submarine designer, and her brother, Conner, must make sure that a Russian nuclear submarine, the Silent Thunder, recently purchased by the U.S. government for use as a maritime museum, is safe for visitors. Working alone on the sub in a Maine harbor, the two make a strange discovery that's swiftly followed by a deadly attack. Others, both Russian and American, want what the Brysons have uncovered and will stop at nothing to obtain it. One Russian, Nicolas Kirov, has a special interest in the submarine as well as a growing interest in the feisty, beautiful Hannah. The constantly bickering Hannah and Kirov are forced to work together for a common goal as they fight various enemies and, of course, fall in love. The romantic subplot threatens to take over the action, but is thankfully reined in at the exciting finale. 12-city author tour. (July)”

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

This interview is available exclusively on The Entertainment Critic Magazine, found at http://www.theentertainmentcriticmagazine.com.

To listen to the interview: To access the interview, look under the Interview section, and then click on the MP3 player in the lower left corner. You'll see the interview listed, click on Roy and Iris Johansen name in the player, the interview will take a moment to download and then will begin playing Enjoy the interview, and please drop us a line at james@theentertainmentcriticmagazine.com and let us know how you liked the interview and if there is anything we can do to improve our process.

You Tube Video: http://www.youtube.com/watch?v=0x0ifFX0hzc

Iris’s Official Website: http://www.irisjohansen.com/



New Movie Review From James Myers, The Entertainment Critic: The Dark Knight


Movie Review: The Dark Knight

The Entertainment Critic Movie Review

www.theentertainmentcritic.com

www.theentertainmentcritic.net

www.theentertainmentcriticmagazine.com

In Theatres Now Review

Opened July 18, 2008

By James Myers

Rating: 9 of 10

Director: Christopher Nolan

Writers (WGA): Jonathan Nolan (screenplay) and

Christopher Nolan (screenplay)

Release Date: 18 July 2008 (USA)

Genre: Action | Crime | Drama | Mystery | Thriller more

Tagline: Why So Serious?

Plot:

Batman and James Gordon join forces with Gotham's new District Attorney, Harvey Dent, to take on a psychotic bank robber known as The Joker.

Plot Keywords:

One Man Army | Scarred Face | Based On Comic | Evil Clown | Ice Cream Parlor

Numbers Show 'Dark Knight' Will Smash Several Box-Office Records (From Rope Of Silicon. 19 July 2008, 2:40 AM, PDT)

Cast:

Christian Bale ... Bruce Wayne / Batman

Heath Ledger ... The Joker

Aaron Eckhart ... Harvey Dent / Two-Face

Michael Caine ... Alfred Pennyworth

Maggie Gyllenhaal ... Rachel Dawes

Gary Oldman ... Lt. James Gordon

Morgan Freeman ... Lucius Fox

Monique Curnen ... Det. Ramirez

Ron Dean ... Detective Wuertz

Cillian Murphy ... Dr. Jonathan Crane / The Scarecrow

Chin Han ... Lau

Nestor Carbonell ... Mayor

Eric Roberts ... Salvatore Maroni

Ritchie Coster ... The Chechen

Anthony Michael Hall ... Mike Engel

MPAA: Rated PG-13 for intense sequences of violence and some menace.

Runtime: 152 min

Country: USA

Language: English

Sound Mix:

Dolby Digital | SDDS | DTS | Sonics-DDP (IMAX version)

Certification:

Norway:15 | New Zealand:M | Finland:K-13 | Singapore:PG | Canada:14+ | USA:PG-13 | Australia:M | UK:12A | South Korea:15 | Ireland:15A

Filming Locations:

Battersea Power Station, Battersea, London, England, UK more

Company: Warner Bros. Pictures

Every summer there is that one blockbuster that is the marquee event of the summer, the ‘Jaws’ type blockbuster that film buffs are willing to stand in line to see. The Dark Knight is 2008’s top blockbuster, and by the time its run ends, it may be the most pervasive blockbuster ever. Dark, mysterious, and foreboding, this is an edgy, gripping thriller. The performance by the late Heath Ledger more than meets the hype, and it alone is worth the price of admission. The Dark Knight is a 2008 American superhero film co-written and directed by Christopher Nolan. Based on the DC Comics character Batman, the film is a sequel to Batman Begins (2005). Christian Bale reprises the lead role. Batman's primary conflicts in the film include his fight against the Joker (Heath Ledger) and his strained friendship with district attorney Harvey Dent (Aaron Eckhart).

For his conception of the film, Nolan was inspired by the Joker's first two appearances in the comics and Batman: The Long Halloween. The Dark Knight was filmed primarily in Chicago (as was Batman Begins), as well as in several other locations in the United States, the United Kingdom, and Hong Kong. The director used an IMAX camera to film six major action sequences, including the Joker's first appearance in the film. The Batsuit was redesigned, with a cowl allowing Bale to move his head. The film also introduces a recreation of the Batcycle, known as the Batpod.

The film begins with the Joker robbing a mob-owned bank, and double crossing his accomplices so he can have all the money. That night, multiple Batman impersonators interrupt a meeting between mobsters and the Scarecrow. The real Batman shows up and subdues everyone, but injuries suffered during the confrontation force him to acquire a new, more functional suit of armor. Batman and Lieutenant James Gordon (Gary Oldman), contemplate bringing new district attorney Harvey Dent (Aaron Eckhart) in on their plan to eradicate the mob, and the possibility that Dent will become the hero to the people that Batman cannot be. At the same time, Bruce and Harvey are both competing for the love of Rachel Dawes (Maggie Gyllenhaal). The mob bosses meet to discuss how to handle Batman, Gordon, and Dent, while a Chinese mobster accountant, Lau (Chin Han), lets the gang leaders know he has taken their money to Hong Kong to prevent the police and the district attorney from seizing it in an imminent bank raid. The Joker arrives and proposes to kill Batman for them, and also tries to convince them that Lau will give them all up to the police if he is caught.

After Batman successfully abducts Lau in Hong Kong and delivers him to the Gotham City police, the mobsters agree to pay the Joker half of their money in return for killing Batman. The Joker tells all of Gotham that if the Batman does not unmask himself and turn himself in to the police, then he will kill innocent people every day. When the Joker begins killing off public officials despite the best efforts of the police and Batman to thwart him, Wayne decides to give in and turn himself in to the police. However, before he can do so, Dent publically admits to being "the Batman" to draw the Joker out of hiding. The Joker attempts to kill Dent during transport, but Gordon and Batman arrive in time to stop and arrest him. With the Joker in custody, Batman interrogates the Joker, physically beating him until he reveals that Rachel and Dent have been taken to opposite sides of the city, far-enough apart that Batman does not have time to save both of them. Batman speeds off to save Rachel, while Gordon and the police head after Dent. Unknown to them, the Joker has switched the locations of both, sending Batman after Dent and Gordon after Rachel. With the help of a pre-planted phone bomb, the Joker escapes with Lau in tow.

Dent and Rachel awaken to find themselves tied to chairs with barrels of explosive material surrounding them. Dent attempts to free himself, but accidentally immerses the left side of his face in turpentine when he falls on the floor. Batman arrives and rescues Dent just as both buildings explode; the left side of Dent's face is burned during the explosion. Gordon does not reach Rachel in time and she dies in the explosion. In the hospital, Dent is driven to madness over the loss of Rachel, which he blames on Batman, Gordon and the Joker. The Joker sets up another elaborate plan; first he convinces Harvey to exact revenge on those responsible for Rachel's death.

While "Harvey Two-Face"(Aaron Eckhart) confronts the corrupt cops and the mobsters one by one, flipping a coin to decide their fates, the Joker burns Lau at the top of the clown's share of mob money, stacked into a tower. The Joker then declares that he will rule the streets and that anyone left in Gotham at nightfall will be subject to his rule, but also suggests the outbound bridges and tunnels are booby trapped which makes the ferries the preferred method out of the city. Knowing the large ships would be filled to capacity, the Joker plants explosives on two ferries and gives the passengers on board the chance to destroy the opposing vessel, one full of prison convicts and another with civilians, in order to save their own lives. Batman tracks the Joker to an uncompleted skyscraper—turning all the cell phones in Gotham into a giant sonar system—and prevents him from blowing up two ferries when both vessels' occupants decide they would rather die than kill innocents.

Dangling from a wire, the Joker acknowledges that Batman really is incorruptible, but that Dent was not and he has unleashed Harvey's madness upon the city. Batman finds Gordon and his family with Dent at the building where Rachel died. Harvey proceeds to judge Batman, himself, and Gordon's son through the chance of coin flip, which he sees as the only fairness left in the world. Harvey shoots Batman in the stomach but before he can determine the boy's fate, Batman tackles him over the side of the building, saving Gordon's son. As Dent lies motionless on the ground, Batman and Gordon decide that the Joker would win if anyone found out about Dent's corruption and madness. In order to uphold Dent's vision, Batman convinces Gordon to blame all of Dent's murders on him to preserve Dent's image as Gotham's hero and give the city hope. As Gordon destroys the Bat-Signal, a manhunt is issued for Batman.

The competing themes in the movie make the dark, sinister backdrop even more persuasive. Does the vigilante have to abandon his code of helping law enforcement within some set of rules to rid the world of uncontrollable evil? Bruce Wayne as Batman longs for ‘a normal life’ with Rachel, who he has lost to the larger that life DA Harvey Dent. As long as he remains the Batman, he cannot have a normal life; he cannot have Rachel. The Joker, a "psychopathic, mass murdering, schizophrenic clown with zero empathy," played expertly by Heath Ledger (“I believe whatever doesn't kill you simply makes you... stranger.”), is reminiscent of Alex (Malcolm McDowell) in a Clockwork Orange. He seems to want only anarchy and chaos, existential disaster to prove his paradigm of life: all goodness is corruptible and men are innately evil, contemptible beings. (“Introduce a little anarchy... Upset the established order... Well then everyone loses their minds!”) If you have ever read Mark Twain’s ‘The Man Who Corrupted Hadlyburg’ you get the idea. Man is cable of only good or evil; the Joker’s real mission is to prove man is capable of only ‘ultraviolent’ evil, particularly the Batman. His mission is to put his adversaries in impossible ethical and moral dilemmas that have no real solution and where the problem solvers do not know the truth behind their choices until it is too late. And once they choose, the inadvertently commit acts of evil violence. Humiliation, exposure, and dominance motivate the Joker. Micheal Caine as ‘Alfred’ says it best: “Some men aren't looking for anything logical. They can't be bought, bullied, reasoned or negotiated with. Some men just want to watch the world burn.”

Unknowingly, it is his desire to exposure Batman as evil by performing acts of incredible violence that keeps Bruce Wayne from achieving his goal of acceptance and ‘a normal life.’ This tension is incredible throughout the movie, buttresses by living and vivid action sequences that simply have to be seen to be believed.

The writing and direction in this film is first-rate. The background and sets are incredibly gritty and urban. Chicago provides much of the locale in the film. The acting for a comic book movie is truly surprising, and the special effects are memorizing. The score and the music for the film make the dark sets seem even darker. But the glue that truly holds this film together is Health Ledger’s amazing performance. His obsessive performance of a complex and inexplicable criminal make this story more than just a comic book crime thriller, but a study of the intricacies of a serial killer that rivals Charles Manson. This is a performance that may well rate an Oscar nomination. Emotionally, you may leave the theatre feeling drained. This is an involving film that requires your attention. Don’t be surprised if your neighbors tell you to see it twice.

Complex, dark and disturbing, this is an intense film that has moments when you are startled right out of your chair, and may be too intense for young viewers. The Dark Knight is clearly this summer’s best film so far and maybe the best grossing summer film ever. The Dark Knight opened on July 16, 2008 in Australia and July 18, 2008 with midnight screenings in 3,040 theaters. From the first midnight screenings, the film has earned $18.5 million and has set a new midnight debut record beating Star Wars Episode III: Revenge of the Sith which earned $16.9 million. The Dark Knight set a single-day box office record of $66.4 million, breaking a record of $59.8 million previously held by Spider-Man 3. This weekend as I write this, it has been widely reported that all 4000 theatres nationwide are sold out. An ambitious film, this one is this summer’s must see. Almost perfect, I give this one an enthusiastic recommendation.

Movie Trailer: http://www.youtube.com/watch?v=8M_dzsvEfyM

http://www.youtube.com/watch?v=m2efmHXjCwc

http://www.youtube.com/watch?v=_vWRDs-jEto

http://www.youtube.com/watch?v=Reo19mW5p7w

Wednesday, July 2, 2008

New Interview From The Entertainment Critic: Jeffery Deaver on The Broken



NEW INTERVIEW FROM THE ENTERTAINMENT CRITIC: JEFFERY DEAVER, AUTHOR OF THE BROKEN WINDOW

Please check out the new interview by James Myers, The Entertainment Critic, of Author Jeffery Deaver, about his new Lincoln Rhymes book, the new best seller, The Broken Window.

From The Publisher: “Lincoln Rhyme and partner/paramour Amelia Sachs return to face a criminal whose ingenious staging of crimes is enabled by a terrifying access to information....

When Lincoln's estranged cousin Arthur Rhyme is arrested on murder charges, the case is perfect -- too perfect. Forensic evidence from Arthur's home is found all over the scene of the crime, and it looks like the fate of Lincoln's relative is sealed.

At the behest of Arthur's wife, Judy, Lincoln grudgingly agrees to investigate the case. Soon Lincoln and Amelia uncover a string of similar murders and rapes with perpetrators claiming innocence and ignorance -- despite ironclad evidence at the scenes of the crime. Rhyme's team realizes this "perfect" evidence may actually be the result of masterful identity theft and manipulation.

An information service company -- the huge data miner Strategic Systems Datacorp -- seems to have all the answers but is reluctant to help the police. Still, Rhyme and Sachs and their assembled team begin uncovering a chilling pattern of vicious crimes and coverups, and their investigation points to one master criminal, whom they dub "522."

When "522" learns the identities of the crime-fighting team, the hunters become the hunted. Full of Deaver's trademark plot twists, The Broken Window will put the partnership of Lincoln Rhyme and Amelia Sachs to the ultimate test.”

This interview is available exclusively on The Entertainment Critic Magazine, found at http://www.theentertainmentcriticmagazine.com/.
To listen to the interview: To access the interview, look under the Interview section. Click on the wavy lines in the top right hand corner to stop the music, and then click on the MP3 player in the lower left corner. You'll see the interview listed, click on Jeff’s name in the player, the interview will take a moment to download and then will begin playing Enjoy the interview, and please drop us a line at james@theentertainmentcriticmagazine.com and let us know how you liked the interview and if there is anything we can do to improve our process.

Jeff’s Website: http://www.jefferydeaver.com/

You Tube Video: http://www.youtube.com/watch?v=6JfQopn4uMY


Saturday, June 14, 2008

New Book Review From The Entertainment Critic: The Shack By William Paul Young


The Shack

THE ENTERTAINMENT CRITIC BOOK REVIEW, BY JAMES MYERS
http://www.theentertainmentcritic.com/
http://www.theentertainmentcritic.net/
http://www.theentertainmentcriticmagazine.com/


THE SHACK
By William P. Young
Published by: Windblown Media
Publication Date: May, 2007
Price: $14.99
248 Pages
ISBN-13: 9780964729230
Five Star Rating *****

BORN IN GRANDE PRAIRIE, ALBERTA CANADA, MAY 11, 1955
RAISED BY MISSIONARY PARENTS
LIVED HIS EARLY LIFE AMONG THE DANI TRIBE
WORKED HIS WAY THROUGH BIBLE COLLEGE
GRADUATED SUMMA CUM LAUDE FROM WARNER PACIFIC COLLEGE IN PORTLAND, OREGON
MARRIED TO KIM WARREN
HAS ALWAYS BEEN A WRITER, INCLUDING SONGS, POETRY, SHORT STORIES, OR NEWSLETTERS
THE SHACK WAS A STORY HE WROTE FOR HIS 6 CHILDREN AT HIS WIFE’S SUGGESTION WITH NO INTENTION TO PUBLISH
HIS CHILDREN, WIFE AND FRIENDS URGED HIM TO MAKE THE BOOK PUBLIC
PAUL IS A DEEPLY RELIGIOUS PERSON
HE IS NOW THE AUTHOR OF THE SINGLE MOST SURPRISING BOOK OF 2008, AND ARGUABLY THE MOST PHENOMENAL BOOK IN THE HISTORY OF LITERATURE IN WESTERN CIVILIZATION

THE SHACK ORIGINALLY A BOOK/PAMPHLET HE TOOK TO KINKOS TO PUBLISH FOR CHILDREN, WAS PICKED UP AND PUBLISHED BY 2 OF HIS FRIENDS, WAYNE JACOBSEN AND BRAD CUMMING WHO FORMED WINDBLOWN MEDIA FOR THE EXCLUSIVE PURPOSE TO SELF PUBLISH THE SHACK
THIS BOOK HAS GONE FROM A HOBBY, TO GARAGE SELLER, TO BEST SELLER
THE SHACK HAS RISEN TO BECOME THE #1 BEST SELLING PAPERBACK IN AMERICA
HAS BEEN ON THE TOP 50 USA TODAY’S BEST-SELLING BOOKS FOR OVER 20 WEEKS
THERE ARE NOW 1.2 MILLION COPIES IN PRINT
FAITHWORDS, A DIVISION OF HACHETTE BOOK GROUP SIGNED AS A CO-PUBLISHER WITH WINDBLOWN
HACHETTE HAS AGREED TO A 500,000 COPY PRESS RUN IN JUNE 2008
AND A MARKETING CAMPAIGN IN THE SECULAR MARKET IN JULY, 2008
THE BOOK MAY BE MADE INTO A MOVIE


“Now Sarayu paused before answering. ‘You humans, so little in your own eyes. You are truly blind to your own place in the Creation. Having chosen the ravaged path of independence, you don’t even comprehend that you are dragging the entire Creation along with you.’ She shook her head and the wind sighed through the trees nearby. ‘So very sad, but it won’t be this way forever.”

It is rare that I am completely taken by surprise when I read a new book, or at least a book that is new to me. When publishers send advanced copies to be reviewed they also send packets of information about the book, the author and other reviews. By the time I read most of the books that I am sent, I am already writing the review in my head and I have a pretty good idea of what that book, the author and the theme of my review is going to be. With book trailers on You Tube, commercials on televisions, the endless parade of authors on talk shows, and the promotional materials that accompany books, it is rare indeed that the contents of a small, but emotionally powerful and moving book takes me completely off guard. It is even more surprising when I receive a book that is self published that the book is actually a polished, well written, sophisticated, thought provoking product that other reviewers have compared with Pilgrim’s Progress, or any other such benchmarks of classic literature. There is no doubt about it, this book is a five-star winner, maybe 6, that came as a complete and utter surprise to me. This modern day religious parable reminds me of the feeling that I had the first time that I read Paulo Coelho‘s masterpiece, The Alchemist. It is a small, compact story that provokes the depth of thought, and the range of emotions that well-written books were meant to provoke; when reading is truly the best experience. This book, like all masterpieces of literature, is the reason most of us love to read in the first place. I promise you, reading this book could change you life.

The Shack begins 4 years before the actual story begins when Missy, the daughter of Mack (Mackenzie) Phillips is abducted during a family vacation. Her body is never found, but the police found evidence in an abandoned shack proving that the girls was brutally murdered by a notorious serial killer who’s specialty is preying on young girls. The story begins when Mack, who has been living in the shadow of what Young calls his, “Great Sadness,” receives a note from God, inviting him to return to this same shack for a get together, a long encounter with the Holy Trinity. (Paul told me in an interview that the shack is a metaphor for all the evil done to him over the years, for the ugly dark place that seemed beyond God’s healing reach).

After much internal debate, Mack returns to The Shack to be greeted by a matronly large and earthy African-American woman known as Papa, an anthropomorphism of God The Father. He is introduced to the 2 other characters of Jesus, (Abba), a middle aged Jewish man with a prominent nose, and The Holy Spirit (Sarayu), a gentle wind represented by a small, delicate woman of Asian descent. The book is mainly an internal dialogue between Mack and these delightful characters. The key to the book is the revelations that come from the 3 in their conversations with Mack and with each other. The topics that are covered in the book seem to me to be revelations and disclosures to Mack concerning his suffering over his daughter’s loss and the mistrust that he has for a God who allowed his daughter to suffer and die in such a horrifying way. It is as if Mack is being given secret pieces of a jigsaw puzzle to assemble in order to explain the unexplainable aspects of his life; a picture once assembled that shows where all the pieces fit. It is revealed to Mack that God is inherently good and belief in his goodness is the only way to understand and trust in God. The evil in life comes from man and other sources. It is good that is absolute; evil only exists as a contrast to that which is good, sort of a measure to determine what is good. All understanding of God stems from our relationships, not only with God but with other men, with other women, and in our special interpersonal relationships.


The original thought and themes that arise from the book are religiously unorthodox and thought-provoking.

(1) The Path to Enlightenment: “legalistic” organized religion, denominations, and doctrines are not necessary to find God’s love and to affect a rebirth. You can discover Jesus’ love inside of yourself and in your relationships with other people, particularly with the loving relationships that exist in your life;

(2) The Trinity: There is no real hierarchy or chain of command in this group, but they are in a loving circle of relationship, a ‘great chain of being.’ There is also a greater understanding of the human condition that exists within the Trinity. The three are a necessary precondition to all love that exists, and this is the love that all humans seek, even from each other. It is the relationship of the 3, and their relationship to each other that gives birth and is the genesis of all love that exists between men and women.

(3) Submission: Takes on a whole new meaning in this book, submission becomes devotion, love and respect. The three are submitted or in a relationship with each that they wish to share with Mack. They in turn submit or acknowledge the love and respect that they have for him. To experience this submission correctly, the feelings must be mutual; to regard each others concerns to be as significant as your own. Hierarchy is unnecessary.

(4) Free Will: Jesus tells Mack “I want brothers and sisters who will share life with me.” He indicates that he does not want slaves to do his will. The choice to accept God is available to man, but not forced upon him. The Shack seems to indicate that man has been forgiven for sins and can choose to have a relationship with him. Consequences for the failure to choose are not discussed, but you get an impression that like Mack, man left to his own devices has chosen the consequences of his own actions, to be lost and without any true peace

(5) Forgiveness: The story’s main focus seems to be place on forgiveness. Mack has to first forgive God for the loss of his daughter or at least come to some understanding why God could not intervene to save Missy, perhaps to forgive even her killer. The book seems to expose an unconditional forgiveness, a forgiveness where God has already, long ago forgiven man and offers the opportunities to recognize him through our relationships with others, and to accept the unconditional love and forgiveness as authentic. The mere acceptance of his love and forgiveness affects reconciliation.

(6) Revelation: Both the message that there is a God and that he offers unconditional love and acceptance are messages that are not static or found in the Bible alone. The Shack seems to indicate that there are voices of revelation that call to us everyday if we learn to recognize the “still, small voices.” Revelation comes from within ourselves, from our own voice, and from the voices of the people around us, especially those with whom we are involved in interpersonal relationships; the closer the relationship, the more pronounced and recognizable the voice. This includes your relationship with the Spirit aspect of the tribune. Your relationship with her, gives you the ability to recognize the voice; the more practice you have at paying attention to it, the easier it becomes to recognize. You can also find the voice by observations of your environment. Art, music, science, other people, nature, joy, sorrow are messengers of such a revelation. The Bible is also recognized as a method of communication, but Mack learns that communication also occurs outside of the box and that God’s attempts to communicate with man are persistent and cannot solely be contained in “a box.”

(7) Salvation: The Shack seems to point to a quasi-universal salvation. The acceptance and transformation does not necessarily come from being a Christian alone, there appear to be other paths that can lead one to God.

(8) Politics, Religion and Economics: These are referred to as “man-created trinity of errors that ravage the earth” deceiving us. The book indicates that these things are distractions that lead to falsehoods and not the true path to enlightment.


Needless to say, Paul Young’s modern day interpretation of theology has some of the organized church up in arms. Theologians have called the book “deeply subversive,” “spiritually incorrect,” and “dangerous.” Some have gone as far as to say that “if you haven’t read The Shack, don’t!” I’m not a theologian, but if you are a conservative, strict constructionist of scripture, this book may not be for you. Please be aware that there is controversy that surrounds the book. Paul Young has indicated that he has no desire to “duke it out in a cage-match” with the organized church; the book is more of a recounting of a journey of self discovery and original thought than a new wave religion to be feared. Pulling people away from churches is not the point; sharing the findings of the journey is the point.

With that caveat, I found the book to be brilliant. The obvious metaphor for a journey into the past to unravel the secrets of the universe is handled in a revealing, sensitive way that is incredibly emotional. The distant, judgmental god of Mack’s youth is discarded for a more accepting, loving God; one who gives you the tools and the hope to heal all the items you have placed in your own Shack. Young’s book is a soaring, surprising success. His own story told in an allegory like form of overcoming the ill that has been done him in his life as well as the ill he has done to himself, makes Mack a figure that most of us clearly identify with. This jigsaw puzzle has more than enough pieces to make it interesting reading. The courage that it must have taken Paul Young to make such a self-examination and to write this book for his children must have been difficult enough; the decision to share his thoughts with the rest of us was inspired. In an America, where only 3 of 10 people attend weekly worship services, and literally millions are ignorant of the Bible, The Shack offers comfort and revelation to those who struggle with pain. A fluid and dynamic depiction of a relationship with God and with each other, The Shack is the most original book of 2008. If you have an open mind and are not easily offended by out the box thinking, The Shack offers a doorway to “a free and open life full of love and empty of all secrets.” This is a wonderful little book that friends give to friends. This is literature at its best, a treasure. A great read from a new voice, The Shack receives my highest recommendation.


You Tube Video: http://www.youtube.com/watch?v=xFO2OQCOo7A

USA TODAY Article: http://www.usatoday.com/life/books/news/2008-05-28-the-shack_N.htm?csp=34


NEW INTERVIEW FROM THE ENTERTAINMENT CRITIC: WILLIAM P. YOUNG, AUTHOR OF THE SHACK

Please check out the new interview by James Myers, The Entertainment Critic, of Author William P. Young, About His New, Surprise Top Selling Book, The Shack.

From The Publisher: Mackenzie Allen Philips' youngest daughter, Missy, has been abducted during a family vacation and evidence that she may have been brutally murdered is found in an abandoned shack deep in the Oregon wilderness. Four years later in the midst of his Great Sadness, Mack receives a suspicious note, apparently from God, inviting him back to that shack for a weekend. Against his better judgment he arrives at the shack on a wintry afternoon and walks back into his darkest nightmare. What he finds there will change Mack's world forever.

"The Shack is the most absorbing work of fiction I've read in many years. My wife and I laughed, cried and repented of our own lack of faith along the way. The Shack will leave you craving for the presence of God." — Michael W. Smith, Recording Artist

This interview is available exclusively on The Entertainment Critic Magazine, found at http://www.theentertainmentcriticmagazine.com/.
To listen to the interview: To access the interview, look under the Interview section. Click on the wavy lines in the top right hand corner to stop the music, and then click on the MP3 player in the lower left corner. You'll see the interview listed, click on Paul’s name in the player, the interview will take a moment to download and then will begin playing Enjoy the interview, and please drop us a line at james@theentertainmentcriticmagazine.com and let us know how you liked the interview and if there is anything we can do to improve our process. This interview is in 2 parts.

This could be the book of the year and is a one of a kind publishing phenomena in the history of modern book publishing